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大方漆器是貴州極富民族風(fēng)格和地方特色的傳統(tǒng)工藝美術(shù)品之一，明、清時期曾列為貢品，與茅臺、玉屏簫笛并稱“貴州三寶”。大方漆器兼具欣賞價值、實用價值和藝術(shù)價值，其制作技藝“彝族漆器髹飾技藝”于2008年被列入第二批國家級非物質(zhì)文化遺產(chǎn)名錄。

Dafang lacquerware is celebrated for its ethnic flavor and local distinctiveness. In the Ming and Qing dynasties, it was among the prestigious tribute items and became known as one of the "Three Treasures of Guizhou," alongside Moutai liquor and Yuping bamboo flutes. Combining aesthetic, practical, and artistic value, its production technique, the Yi Lacquerware Decoration Technique, was listed as a national intangible cultural heritage in 2008. 

今年11月，停更三年的李子柒回歸，首則視頻便展示了用彝族漆器髹飾技藝翻新老衣柜柜門的過程，讓這項沉寂已久的技藝重新進(jìn)入大眾視野。

In November this year, internet celebrity Li Ziqi made her long-awaited return after a three-year hiatus. In her first video, she showcased the process of refurbishing old wardrobe doors using the Yi lacquerware decoration technique. This brought renewed attention to the time-honored craft, reviving its place in the public eye.

從生漆收割、胎坯制作、工藝裝飾到漆器形成，大方漆器的制作，工序繁雜，要靠長期從事該技藝的師傅憑經(jīng)驗純手工完成?，F(xiàn)年60余歲的高光友是“彝族漆器髹飾技藝”省級代表性傳承人，他自1985年開始學(xué)習(xí)制作漆器。30余年來，他潛心鉆研，積極推動該技藝的傳承與發(fā)展。在他的堅持下，大方漆器實現(xiàn)了從高端工藝品到大眾文化創(chuàng)意產(chǎn)品的轉(zhuǎn)型。

From harvesting raw lacquer and making the base structure to applying decorations and completing the final product, crafting Dafang lacquerware involves an intricate series of steps. The process is entirely handcrafted, relying on the expertise and experience of artisans. Gao Guangyou, now in his 60s, began learning the craft in 1985. Over the past three decades, he has immersed himself in refining the technique and promoting its preservation and development. Under his leadership, Dafang lacquerware has transitioned from an exclusive luxury item to an accessible cultural and creative product.

作為貴州文化的象征之一，大方漆器不僅是一門傳統(tǒng)技藝，更是一種文化符號，連接著過去與未來。在傳承人高光友的帶領(lǐng)下，這項技藝正以全新的姿態(tài)煥發(fā)光彩，吸引更多人了解和喜愛這份民族瑰寶。

As a symbol of Guizhou's culture, Dafang lacquerware is not only a traditional craft but also a cultural emblem, bridging the past and future. Led by Gao Guangyou, the craft has been revitalized with a modern touch, inviting more people to discover and appreciate this national treasure.

貴州日報天眼新聞記者 王旗

編輯 朱紫蒨

二審 龐博 陳大煒

三審 許邵庭